Walt Disney Company
“What's happening at Disney isn't just the intersection of art and commerce — it's the three-way intersection of art and commerce and engineering, and always has been.”
Source→“We had decided there was only one way we could successfully do Snow White and that was to go for broke, shoot the works. There would be no compromise on money, talent, or time.”
Source→“Not only are they getting revenue for this, they're getting free daily advertising and IP exposure to probably 100 million plus people through this newspaper comic distribution every single day.”
Source→“That watch would sell two and a half million units over the next two years. The Ingersoll Watch Company was about to go bankrupt during the Depression. It saves the company.”
Source→“The manager of the Fox Dome Theater in Ocean Park, California, contacts Walt with an idea. Why don't we partner to start a Mickey Mouse club for kids?”
Source→“Ub is the one who first draws Mickey, not Walt on the train. But either way, Ub definitely was the primary animator of the first Mickeys for the whole first series of Mickeys, including Steamboat Willie.”
Source→“They have to take out a whole series of loans from Bank of America in order to finance production even with all the money they have coming in from the flywheel.”
Source→“Bob Iger, one of his first acts as CEO, did the deal... Al Michaels, the Monday Night Football commentator — like a sports team trade — to NBC in exchange for the IP rights to Oswald the Rabbit.”
Source→“There is a real case to be made that besides Walt and Roy and Ub Iwerks — at least on the business side, besides Walt and Roy — Kay Kamen was the third most important person in the first half century of Disney.”
Source→“Powers, like all these New York guys, was basically plotting to do the exact same thing as Mintz to Disney. He wanted to start working with Walt, give him a sweetheart deal, and then lure away the animation talent.”
Source→“The Walt Disney Studio doesn't actually own the IP of Oswald the Lucky Rabbit. Universal does.”
Source→“Disney first switches to Columbia for distribution and then to United Artists, and audiences just keep loving Mickey.”
Source→“Somewhere in Marceline, in prepubescent Walt's mind, a connection is forged between these two great forces, art and commerce. And that would go on to drive not only the rest of his life, but the company, the studio, the movies made change America.”
Source→AI-extracted from podcast / newsletter / paper summaries. May contain errors.